Awards

2017

 

The Sculpture on the Peninsula Award will be judged by Felicity Milburn, curator, Christchurch Art Gallery Te Puna o Waiwhetu.

2015

Sculpture on the Peninsula Award $10,000

Judge: Lara Strongman, senior curator Christchurch Art Gallery.

Sponsor: The 2015 award was sponsored by Swinard Wooden Floors, in memory of the late Geoff Swinard, whose vision began this event.

Sculpture on the Peninsula

10 Green Bottles, Aaron Te Rangaio

Judge’s Comments

Sculpture on the Peninsula is a terrific event on the national arts calendar, and unique in its setting on a historic working farm. You encounter sculptures in unexpected places: in greenhouses, wood piles, old sheds, and fields; up on ridgelines, or nestled under trees. Walking around and discovering the work is half the fun.

There are many strong works included this year among a field of nearly 200 individual sculptures—and it’s always a pleasure to be able to see the huge diversity of creative talent on show. Some works refer to the farm setting or the dramatic landscape of Lyttelton Harbour; others address political issues; and several reveal the artist's mischievous sense of humour. The overall quality of making and construction was particularly high in 2015. In the end Aaron te Rangiao’s installation of ten beautifully carved patu took the top award. Ten Green Bottles is a work with great elegance and verve, produced with considerable technical skill as well as a strong conceptual dimension. It has a compelling presence in the old stable block. Ten Green Bottles draws on Māori histories and cultural forms, constructing an imaginative encounter with the past in the present. It’s a work that I found myself thinking about long after I’d left Loudon Farm on the drive around the harbour back to the city.

– Lara Strongman

The Loons People's Choice Award $1,500

Sponsored by The Loons Circus Theatre Company

Horse, Hannah Kidd

Golden Horse, Hannah Kidd

2013

Sculpture on the Peninsula Award $10,000

An Award of $10,000 was made for artistic excellence at Sculpture on the Peninsula 2013. The award was judged by Lara Strongman.

The Red and Black Portal from the Marae at Otuwhero

‘The Red and Black Portal from the Marae at Otuwhero’, Tim Wraight

Judge’s Comments

What makes Sculpture on the Peninsula unique is its unique setting on a historic, working farm in the dramatic landscape of Lyttleton harbour. Sculptures by prominent New Zealand artists are installed in surprising places: in old sheds, in fields, up macrocarpa trees, tumbling out of an ancient chook house. Discovering the work is half the fun.

Choosing this year’s winner was a difficult proposition; there’s a great diversity of mediums, scale and approaches to sculpture among more than 170 works included in the exhibition. In the end Tim Wraight’s work, The Red and Black Portal from the Marae at Otuwhero, distinguishes itself from a strong field. This is a work of great presence and subtlety; an imaginative act, which balances extraordinary craftsmanship with bold intellectual enquiry. The Red and Black Portal repays close looking, but ultimately retains a sense of mystery and inscrutability. Tim’s great-grandfather was the Banks Peninsula carver JH Menzies, whose work remains a little known national treasure and I admire the way that with this work Tim has harnessed the traditional skill of wood carving to address contemporary questions about place and identity.

– Lara Strongman

Peoples Choice Award $1500

An award of $1500 sponsored by the Loons Circus Theatre Company.

The award was a tie between ‘Stop the Clock’ collection by Jane Downes and ‘Laid’ by Eggs et al .

2011

Sculpture on the Peninsula Award

‘Harder Larder’, Cheryl Lucas

 ‘Harder Larder’, Cheryl Lucas

“Sited in the Loudon farm’s slaughterhouse, Cheryl Lucas’ hanging ceramic sculptures appeared as both vessels or containers and the remnants of hanging carcasses - A kitchen larder close to the smell of death and a work rich in narratives:  The land as benefactor to humanity’s needs and a landscape soiled in blood.  It belongs to an iconography of landscape painting that includes Graham Sydney’s Killing House and Colin McCahon’s Seven Days in Nelson and Canterbury, yet it is also distinct from such painterly traditions as a series of beautiful and skilful ceramic objects perfectly integrated within the landscape of Banks Peninsula.”

– Warren Feeney, Award judge 2011

Peoples Choice Award

The Secret Place Sam Mahon

Sponsors